In the Oldie comments, Jim Wheeler reminded me that Bobby Vee’s career was launched in February 1959 (The Day The Music Died) when he went on for Buddy Holly, Richie Valens and the Big Bopper after their plane went down.
Then that reminded me of this – an astonishing and very entertaining lip-dub performed by the whole damn city of Grand Rapids. I think I posted it a few years ago, but it’s always worth another visit. Enjoy.
Christmas songs don’t count. And even though this may not quite qualify either (at least for my own generation), I’ve adored it for 40 years. So there! Plus, I think I owe it to you after Dennis Day.
This performance is from Live Aid in the 1980’s. (The song runs only the first 5:15 here.)
What a time to be a singer – with new musical genres born every decade. Here is a childhood favorite of mine (she’d probably been performing for 25 years at this point):
From the days of Rat Pack ‘cool’ on the teevee variety shows:
Friday Night Oldies first appeared here late in ’09, but it wasn’t till exactly three years ago today that they became a weekly event. And thus is my excuse to re-post a few all time favorites, only one of which qualifies as a real oldie, but it’s my place. So there.
A few hours before his death, I was alone with my father in a small cubicle off the Emergency Room. He was on a gurney and I on the only chair. I sang this song to him.
Moe has been distracted. But it’s been brought to her attention that there was no oldie last Friday, nor on the Friday previous!
So, because of this (I think he may have been a friend of a friend?), let crank up the way back machine and the land of no-frills-teevee. (And is that Robert Goulet?)
Well, there may be someone left who hasn’t seen this (266,000,000 hits on youtube right now) . . . I love the damn thing on every level, but ask – if you can bear it – that you take another look. Aside from the pure entertainment value, isn’t the color wonderful? The clothes, the backdrops, everything – wonderfully brilliant, almost neon colors. This is a palate I’m rather fond of.
Haven’t been paying much attention in recent years to popular music. I do notice when something happens (RIP Clarence et al) but don’t generally pay a lot of attention when soemthing new is published.
Here’s what The Guardian has to say about Bruce Springstein’s new album, Wrecking Ball.
Indeed, [the album] is as angry a cry from the belly of a wounded America as has been heard since the dustbowl and Woody Guthrie, a thundering blow of New Jersey pig iron down on the heads of Wall Street and all who have sold his country down the swanny. Springsteen has gone to the great American canon for ammunition, borrowing from folk, civil war anthems, Irish rebel songs and gospel. The result is a howl of pain and disbelief as visceral as anything he has ever produced, that segues into a search for redemption: “Hold tight to your anger/ And don’t fall to your fears … Bring on your wrecking ball.”
Springsteen plunges into darker, richer musical landscapes in a sequence of breath-taking protest songs – Easy Money, Shackled and Drawn, Jack of All Trades, the scarily bellicose Death to My Hometown and This Depression with Tom Morello of Rage Against the Machine – before the album turns on Wrecking Ball in search of some spiritual path out of the mess the US is in.
I may have to borrow a dime for this one. Here’s a cut.
The one, the only, Patsy Cline. (Listening, I sorta picture Newt doing this about 11pm last night. The ‘you’ he’s searching for, of course, would be himself.)
So unbloggy. Spent almost the entire day taking down all the Christmas stuff and the tree. Much moving of furniture, hauling and cleaning is involved. An exhausting day, so let’s have a little music. More Teddy Bears, from way way back in the way back machine.
I still find it difficult to connect this innocent – ergo stereotypical – late 50’s trio, The Teddy Bears, with the oddity that today is Phil Spector. But that was then, and we danced to this stuff.